| | | | | | | | | | | | | | | | | | | | | |
| | | | | | | | | | | | | | | | | | | | ||
| | | | | |||||||||||||||||
| | | | ||||||||||||||||||
| | ||||||||||||||||||||
| | | |||||||||||||||||||
| | | |||||||||||||||||||
| | | |||||||||||||||||||
|
Frequently Asked Questions What audio source formats does KABA support? How should I prepare my cassette master for cassette duplication? How should I prepare my DAT master for replication? How should I prepare my CD-R master for CD replication? What is the maximum / minimum program time for CDs? I have questions about the graphics? What can a bar code do for me and can I get one through KABA? When can I expect delivery of my product? Does KABA Audio have a recording studio? Does KABA Audio offer mastering to improve my sound? How can I protect my copyright? Can I use other people's material?
What audio source formats does KABA support? How should I prepare my cassette master for cassette duplication? 1.) We accept: normal (type I), chrome (type II), or metal (type IV) tape, with or without Dolby B or C noise reduction. Masters with side A and side B should be mastered as follows: Record the program side with the longest running time first. At the end of the program, do not let tape run to the end of the cassette. Instead, stop tape and immediately turn cassette over to the other side and start recording the alternate program side at this starting point. 2.) Make sure you listen to and label your cassette master. How should I prepare my DAT master for replication? 1.) KABA strongly suggests avoiding the use of 120 DAT tape for masters, as this may cause "digital glitches." This has been noted by other duplicators and may cause problems in duplication. Use a good name-brand DAT tape, 60-90 minutes long. 2.) Review all materials needed to complete your DAT master. Note where the "hottest", or highest level portion of your audio material is located. This will be used in setting levels to your DAT master. With your DAT machine set to monitor incoming signal, raise or lower your LED readout to register 0 at your loudest audio segment(s). If you observe any red warning indication, this will cause digital distortion (squelch) of your DAT master, so attenuate or back the levels down to make your maximum level 0 dB. A DAT cannot be driven to levels higher than 0 dB. Use a sampling rate of 44.1 kHz. 3.) Begin with rewinding your DAT master to the beginning. Record two minutes of digital silence. Then proceed with the "A-side" recording. Be sure to watch for the red LED warning lights. Should they light up during the recording process, lower your input levels appropriately and restart the recording process from the beginning. Also, be sure that your DAT has start IDs and absolute time at the beginning of each track. Another important thing to remember is that most DAT machines monitor only the "input signal" during recording. It is strongly suggested that you listen to the program material on your DAT in its entirety in playback after the initial recording. This is done to verify that there are no problems such as "dropouts" and/or "digital glitching." 4.) After the "A-side" DAT recording is completed, a "blank" section of one (1) minute should separate the end of the A-side and the start of the B-side recording. Start the recording of the B-side following the same procedures as you did for the A-side. 5.) A track sheet with the DAT master is mandatory. An audio track is a map or journal designating titles, times, locations and other information pertinent to the material contained on your DAT master such as false starts, noise, hidden tracks, etc. This information should answer quesions which may arise during the duplication and/or mastering procedures, avoiding possible delays. Remember, this is the first time KABA has heard your DAT, so any and all information supplied will assist us in delivering your product in a manner which will meet all your expectations. Also, please note the location of the loud segments or peak program levels. 6.) When all recording is complete, remember to move the safety tab on your DAT master to the "open hole" or "protected" position. This will prevent any accidental erasure of your valuable audio material. Make sure you correctly label your DAT master!
What is the maximum / minimum
program time for CDs? How should I prepare my CD-R master
for CD replication? I have questions about the graphics? I have questions about graphics and the package design? When can I expect delivery
of my product? The time of year can also be a factor affecting turnaround, particularly orders that are placed after October 31, because the Holiday Season starts to kick in around that time. Preparation for the Holiday Season can extend the turnaround time by as much as 2 additional weeks. To make sure your product is available at the start of the Holiday season, KABA recommends that you place your order in September. Does KABA Audio have a recording
studio? Does KABA Audio offer mastering
to improve my sound? There are other mastering labs that specialize in and only mastering. Mastering labs charge considerably more than KABA , but the extra expense maybe worth it. Should you desire to have your mastering performed elsewhere, then give us a call: we will be glad to recommend a lab in your area. What can a bar code do for me
and can I get one through KABA? How can I protect my copyright? Can I use other people's material? You may obtain copyright clearance by contacting The Harry Fox Agency, Inc., 711 Third Avenue, New York, NY 10017 212-370-5330, Fax: 212-953-2384 www.nmpa.org/hfa.html Another source of information is the Recording Industry Association of America www.riaa.com |
|
©2001 KABA Enterprises,Inc. All rights reserved. |